I started doing roles and working with people that I really respected and became passionate about the art form of acting. And I'm still trying to figure it out. Still learning.

You can't print everything and that's not good for filmmaking, because you wanna have as many options as possible and print as much as you can, but if you're going to shoot a film - an independent movie on film, the only way to really do it is to print your selects.

Jews took it very seriously to marry other Jews and repopulate the Jewish bloodline, and my father's generation gets very serious in my household when they're like, "You have to marry another Jew," because that's still kind of the mentality coming from the baby boomers. So I know that type of pressure.

If I had a script that I was ready to shoot tomorrow, I'd work on it every day until we got into production as soon as possible, but I don't have that script yet, so I'm trying to find and support writers, really young writers and hopefully come across a story that I wanna tell one day.

I just want to make sure I'm contributing good films to movie history rather than being famous just to be famous.

I love learning from the filmmakers that I'm working with, but more importantly, I love learning from the crew.

I grew up going to school and high school and then shooting a movie for a few months. It's an odd way to grow up and is kind of forced maturity.