I don't get the jitters and I don't get nervous, because I build that comfort on set for myself. Sometimes if I'm gonna do something really crazy, it helps me to yell or look like an idiot on set, so that when I'm about to do a scene, I've already embarrassed myself. I find ways to work around getting the jitters.

I don't get the jitters and I don't get nervous, because I build that comfort on set for myself. Sometimes if I'm gonna do something really crazy, it helps me to yell or look like an idiot on set, so that when I'm about to do a scene, I've already embarrassed myself. I find ways to work around getting the jitters.

I'm doing 'The Perks of Being a Wallflower'. It was a book I read when I was younger, and it just changed my life, and I just wanted to be a part of it.

I started studying filmmakers, and I would say early on the ones that really inspired me the most were like the field magicians of music videos.

One day, I'll stop making weird faces in pictures. But not today.

I started doing roles and working with people that I really respected and became passionate about the art form of acting. And I'm still trying to figure it out. Still learning.

You're not really just a filmmaker that makes a movie good most of the time. It's everybody involved; it's a collective effort.