I just love being in the U.K.

A lot of times I'm on my own trying to find research material and things like that and trying to educate myself on the world and the film that I'm working on.

I've definitely had the experience where I was pursuing someone for a long time that I just obviously did not connect with, so I was always, kind of altering myself for her. But then you realize it's just not worth it. What's the point?

I'm always in the theater seeing everything, good or bad.

I don't get the jitters and I don't get nervous, because I build that comfort on set for myself. Sometimes if I'm gonna do something really crazy, it helps me to yell or look like an idiot on set, so that when I'm about to do a scene, I've already embarrassed myself. I find ways to work around getting the jitters.

It's like, to me, acting is like a child walking in the park, the better the actor, the greater the playground he has.

The filmmakers that I studied and appreciated growing up are the ones that are able to dictate their vision clearly to each department, and they know the language of how to communicate with each department well enough, so that their vision is clearly transferred to the screen. So I like to spend time on sets learning from all of the departments and seeing how they approach their jobs. It's not just filmmakers, you know? There's so many mediums involved. I love learning about all of the mediums.