The creature called man has a strange history. He is not of one piece, nor was he born of a single moment in time. His elementary substance is stardust almost as old as the universe.

Primitives of our own species, even today are historically shallow in their knowledge of the past. Only the poet who writes speaks his message across the millennia to other hearts.

[On common water.] Its substance reaches everywhere; it touches the past and prepares the future; it moves under the poles and wanders thinly in the heights of air. It can assume forms of exquisite perfection in a snowflake, or strip the living to a single shining bone cast up by the sea.

It has been said that great art is the night thought of man. It may emerge without warning from the soundless depths of the unconscious, just as supernovas may blaze up suddenly in the farther reaches of void space.

Though men in the mass forget the origins of their need, they still bring wolfhounds into city apartments, where dog and man both sit brooding in wistful discomfort. The magic that gleams an instant between Argos and Odysseus is both the recognition of diversity and the need for affection across the illusions of form. It is nature's cry to homeless, far-wandering, insatiable man: "Do not forget your brethren, nor the green wood from which you sprang. To do so is to invite disaster.

As we passed under a streetlamp I noticed, beside my own bobbing shadow, another great, leaping grotesquerie that had an uncanny suggestion of the frog world about it . . . judging from the shadow, it was soaring higher and more gaily than myself. 'Very well,' you will say, 'Why didn’t you turn around. That would be the scientific thing to do.' But let me tell you it is not done ― not on an empty road at midnight.

The freedom to create is somehow linked with facility of access to those obscure regions below the conscious mind.