The economic class struggle is a struggle against inessanlty intensified exploitation: not only against the brutal material form of exploitation, capitalism's tendency to reduce wages, and against the class 'techniques' for increasing productivity... but also around the question of the technical-social division of labor that prevails om enterprises, and against bourgeois ideology and repression.

The economic class struggle is a struggle against inessanlty intensified exploitation: not only against the brutal material form of exploitation, capitalism's tendency to reduce wages, and against the class 'techniques' for increasing productivity... but also around the question of the technical-social division of labor that prevails om enterprises, and against bourgeois ideology and repression.

Without claiming to be exhaustive, I maintain that every philosophy reproduces within itself, in one way or another, the conflict in which it finds itself compromised and caught up in the outside world.

Relations of production are first reproduced by the materiality of the processes of production and circulation. But it should not be forgotten that ideological relations are immediately present in these same processes.

However much an ideologue tries to bury [Lenin] beneath a proof by historical analysis, there is always this one man standing their on the plain of History and of our lives, in the eternal 'current situation.' He goes on talking, calmly or passionately. He goes on talking about something simple: his revolutionary practice, the practice of class struggle, about what makes it possible to act on history...not to demonstrate that revolutions are inevitable, but to make them in our unique present.

If someone asks, ‘But what in the end is a philosopher?’ I would say ‘A philosopher is a human being who fights in theory.’

What art makes us see, and therefore gives to us in the form of 'seeing', 'perceiving' and 'feeling' (which is not the form of knowing,) is the ideology from which it is born, in which it bathes, from which it detaches itself as art, and which it alludes.