To observe the world carefully, to write a lot and often, on a schedule if necessary, to use the dictionary a lot, to look up word origins, to analyze closely the work of writers you admire, to read not only contemporaries but writers of the past, to learn at least one foreign language, to live an interesting life outside of writing.
Lydia DavisWe feel an affinity with a certain thinker because we agree with him; or because he shows us what we were already thinking; or because he shows us in a more articulate form what we were already thinking; or because he shows us what we were on the point of thinking; or what we would sooner or later have thought; or what we would have thought much later if we hadnโt read it now; or what we would have been likely to think but never would have thought if we hadnโt read it now; or what we would have liked to think but never would have thought if we hadnโt read it now.
Lydia DavisNo one is calling me. I canโt check the answering machine because I have been here all this time. If I go out, someone may call while Iโm out. Then I can check the answering machine when I come back in.
Lydia DavisIn some sense the text and the translator are locked in struggle - 'I attacked that sentence, it resisted me, I attacked another, it eluded me' - a struggle in which, curiously, when the translator wins, the text wins too.
Lydia DavisI don't feel I have to struggle against allegory. I let the readers do the interpreting.
Lydia DavisI don't believe, in the end, that there is any such thing as no style. Even a very neutral, plain style, one that doesn't use colloquialisms, lyrical flourishes, heavy supplies of metaphor, etc., is a style, and it becomes a writer's characteristic style just as much as a thicker, richer deployment of idiom and vocabulary.
Lydia Davis