My father was very much a child of the counterculture movement and was drawn to the idea of alleviating poverty in the developing world, helping farmers diversify their crops and stuff like that.

To me we're living in this very profoundly non-idealogical time where the real divide is between people who have power and people who either don't have power or feel that they don't have power.

I think I'm this sort of perpetual outsider, I grew up most of my life in countries that were neither where I was born nor where either of my parents were from. I was part of a weird religion that nobody had heard of.

The New York Times I think really is the gold standard of a certain type of journalism and in some ways it's the most important type of journalism, this chronicle of the biggest and most important stories of our time covered with a level of rigor and seriousness that is really unparalleled.

I think we need to reckon in a very serious way with the emotional content of news and the way that people perceive facts and their perception of their situation and to me I think the tabloid is like fundamentally an emotional form of journalism and that kind of emotional valence is what distinguishes it from the broad sheet.

The level of dependence on government among rural populations is actually extraordinary. They suffer even more when that assistance is taken away because they don't have access to the economic dynamism of cities. So if there are ways to tell stories that help people in rural areas see their kind of mutual need for care, that to me is the kind of thing that I want HuffPost to try and do.

Ability to have that sort of feedback loop with your readers to me felt incredibly powerful.