I have a perhaps naive point of view informed by my own kind of snowflake-in-the-unique-sense rather than the political sense, personal story. I mean I feel like my experiences are so hard to map onto any kind of generalized identity. For example, I'm a black person, but I come from a very particular black experience which is not unlike the experience of the Barack Obama. I have an African mother and a white father and I feel like I have a different experience of being a black person as a result of that identity than someone who is from the descendants of slaves.

To me, that's the foundational fact of my identity is that I'm a journalist and so it's hard to imagine putting anything else first.

I think all of us in the pursuit of more perfect version of the truth and the story need to reckon with what we bring to the story, and I think that I'm confronting that in a very real way everyday. I'm extremely proud of who I am and it's nice to see it celebrated, but if someone were to ask me to list in order the biography, you know journalist comes first.

To me the tabloid sensibility, in the best sense of the word, and I think people as like tabloids have receded as a kind of force in media people have started to associate the word "tabloid" with like National Enquirer and stuff like that.

I think the real sort of decision moment for me was president Donald Trump election night and just realizing that there was something happening in the country and in the world that had a very deep relationship to the nature of the current media landscape and that this opportunity that was in front of me could be a place to try to work on that. To try to fix what was going wrong and, or at least make an attempt.

Once I came out in college I just have always been out and at work with pretty much everybody. My wife and I both working as journalists, because she's a photographer, and often working together, would have to kind of navigate this weird world. When you're trying to develop sources, when you're trying to you know make personal connections with people, you inevitably want to share things about yourself and that can be really tricky.

I think we need to reckon in a very serious way with the emotional content of news and the way that people perceive facts and their perception of their situation and to me I think the tabloid is like fundamentally an emotional form of journalism and that kind of emotional valence is what distinguishes it from the broad sheet.