We've traditionally thought of media on this traditional left/right spectrum and most media's kind of clustered in the center and I think people have traditionally thought of HuffPost as being this kind of liberal, progressive voice and that's, you know I think they're are good reasons for thinking that. I mean it started after George W. Bush was reelected and was an answer to the Drudge Report.
Lydia PolgreenI was educated in a deeply kind of un-politically-correct way. I went to St. John's College which is this kind of Great Books school which is equally popular with hardcore conservatives who want their kids to read the Great White Men canon and sort of free-thinking liberals like my parents.
Lydia PolgreenI think we need to reckon in a very serious way with the emotional content of news and the way that people perceive facts and their perception of their situation and to me I think the tabloid is like fundamentally an emotional form of journalism and that kind of emotional valence is what distinguishes it from the broad sheet.
Lydia PolgreenTo me the sort of like, the ethos, if you will, of like tabloid is like Daily News in the 1970s. It's a news organization that thinks of its mission to speak directly to people who are kind of , the people who are sort of the foundation of the American workforce or were at one time. What I love about this conception of the tabloid is that actually everybody read it.
Lydia PolgreenI have a perhaps naive point of view informed by my own kind of snowflake-in-the-unique-sense rather than the political sense, personal story. I mean I feel like my experiences are so hard to map onto any kind of generalized identity. For example, I'm a black person, but I come from a very particular black experience which is not unlike the experience of the Barack Obama. I have an African mother and a white father and I feel like I have a different experience of being a black person as a result of that identity than someone who is from the descendants of slaves.
Lydia PolgreenThe great tabloids were always driven by a sense of outrage, a sense of righteous indignation...and had this sensibility of, like, there are people out there that are trying to screw you - and we're going expose them for it.
Lydia PolgreenTwo of the last four executive editors at the New York Times were Johannesburg bureau chiefs at some point, Bill Keller and Joe Lelyveld. This is a very prestigious post and I was like I don't know 28 years old, which at the Times is very young, I had the temerity to put my hand up for that job. I don't think I slept a single night of those six weeks that I spent in Johannesburg. It was an unbelievable experience, and I think I did okay.
Lydia Polgreen