I was educated in a deeply kind of un-politically-correct way. I went to St. John's College which is this kind of Great Books school which is equally popular with hardcore conservatives who want their kids to read the Great White Men canon and sort of free-thinking liberals like my parents.

To me the tabloid sensibility, in the best sense of the word, and I think people as like tabloids have receded as a kind of force in media people have started to associate the word "tabloid" with like National Enquirer and stuff like that.

India's notoriously difficult. It's visa routine is notoriously difficult to get a residency permit and all that stuff, so that threw up all kinds of complicated barriers for us. I remember once having to go meet with the foreign ministry official and say 'You know look I have a real problem here. Is this person really important to you?' And I just thought 'My God.' You know my wife and I have been together since college. You know it's 20 years.

I think we need to reckon in a very serious way with the emotional content of news and the way that people perceive facts and their perception of their situation and to me I think the tabloid is like fundamentally an emotional form of journalism and that kind of emotional valence is what distinguishes it from the broad sheet.

For us what we're trying to do is find the right balance of creating a space for emotion that leads to a sense of empathy and solidarity rather than a sense of division. In my most grandiose moments I think of HuffPost as a platform that makes solidarity possible, that really thinking about the emotional content of stories is a way to help people who think, or who have been manipulated to think, that they're interests are opposed to one another, that they actually are aligned in a fundamental way and they're actually in the same boat.

Jim Rich is many different things but he has a great combination of a kind of old school tabloid reporter and editor's sense for what's a great story, but he's also incredibly passionate about social justice. I think Shaun King called him the most woke editor in American, if that's a compliment.

Ability to have that sort of feedback loop with your readers to me felt incredibly powerful.