with all these tentpoles, franchises, reboots and sequels, is there still room for movies in the movie business?

Ego problems are endemic in every walk of life, but in the movie business egomaniacs are megalomaniacs.

Like the tectonic plate it sits upon, Hollywood is subject to seismic jolts and constant tremors. Each season erupts with a new champion, and every so often a genuine earthquake will tear down the apparently secure infrastructure.

One of our jobs is to keep women working, which we do by keeping women coming to the movies. And doing that means making good, smart, often funny movies that women can identify with-with terrific dialogue we all remember and cherish, and stories that illuminate our lives and decisions and turning points.

Like the color black, business mixed with anything turns to business.

The key to moving a maybe to a yes is to make the buyer feel as though other buyers have already said yes. ... It helps if it's true, but it never is. No one wants to be the first yes. Why is this? I don't know, but I think it's anthropological.

with all these tentpoles, franchises, reboots and sequels, is there still room for movies in the movie business?