You can think everything is dire, but you act as if there's possibility. I see children coming into the world as an expression of this. Sometimes, not always - it can just be somebody that wasn't on the birth control pill or didn't have access to abortion. But I usually see a wanted child as a sign of optimism, and I like that.

I learned to write from reading. I had no writing classes. It's part of my thinking as the writer-author, reading, but then I also want to bring this into my characters, who also read and think. There's that great quote from Virginia Woolf - it's very simple: "...books continue each other." I think when you're a writer, you're also, hopefully, a reader, and you're bringing those earlier works into your work.

I unlearned the model of being an editor like Ezra Pound with T.S. Eliot, the unconscious belief that America was the center of the world, and that honesty meant saying what I thought and always being direct.

Do the obvious, you won't forget it. Do the obvious, you won't regret it. Obvious, obvious, obvious.

I've always liked elliptical writing, whether it's Kafka or Paula Fox, and I'm often bored by writers who explain too much. I think that becomes journalism. Mostly I don't try to explain to readers who somebody is - I just write about the somebody. I'm thinking through ideas. And I have the sense that, if you're reading this, you have some interest.

There are lots of unlikable characters in literature. It doesn't mean they're not fascinating.

When I'm choosing things, there's a level of intelligence I want to peel off, whether it's written in terribly simple sentences, whether it's from the point of view of a dog, or a 15-year-old boy.