The music industry is so tied up politically. They're afraid they might let other voices in.

In the beginning [of my career] I definitely felt a responsibility because I was representing a bunch of people [Sri lankans] who never got represented before. I felt this responsibility to correct that situation, to be like, "Look, you can't discriminate against refugees and Muslim people and blah, blah, blah . . ."

When mayors get together they probably have better conversations and have better notes to share about running different cities, and just do what suits. Basically, like when you combine all the religions and take the best bits, you should be able to combine all the cities and take the best bits, the information, the tried and tested things.

Creativity needs time to harness before it goes out, and because that's difficult, memes have become the creative language.

I think when something becomes a comfortable genre, it's against what street art stood for in the beginning - breaking out of genres and taking art out of galleries. Now street art is in the gallery, and it's all made up into a nice, packaged concept.

What really drives me mad about art is that, in America, the only thing you can do is to take it apart.

We know that those huge U.S. brands do have political sway.