Over a year before I started recording Salad Days, so I finally sat down and was like I have to do this. And it did feel like a chore. I was looking at it in a completely wrong way, trying to one up myself. Just the typical sophomore album bullshit. The main thing I got out of it is I eventually gave up on all that stuff. I had to re-learn why I liked making music in the first place, why I liked recording in my room all the time. Because it's fun. It's fun for me.

You know, when your poisoning your body night after night after night, you end up chipping a couple years off your life. I've always wanted to be able to do this and now that I am, it's hard to complain.

That's kind of the weird thing about Salad Days. I had to block time off from touring and tell my management and label like no press, no nothing. Let me make an album. You guys are running me dead.

Going on tour, you don't have a lot of time to mull things over. You're just kind of, "Another beer, another show, another song."

I'm just being myself. I'm not a very complex guy; I'm not a very studious, crazy intellectual guy. I'm just a guy.

You kind of have to be like " What have you been working the last five years for? Why are you complaining?" It's essentially me talking myself out of being a crybaby indie rock butthead.

I've recorded at home since I was a teenager, and I'm able to sit here in my underwear and keep trying different things until something works. I think if I did that in a studio the engineer would be like, "What the hell is wrong with you?"