I have an enormous metabolism, so I'm lucky.

I ask a million questions, and I insist on having answers. I think that is what we have to do. I have to know what the director wants. Some are very much in their head, and I need to force it out of them. I just can't play around for eight hours and see if something happens.

I tend not to have any references to anything. I just jump into the script in front of me. If you reference too much, you have no idea if the performances are right.

I guess they have to label someone the sexiest person in the world, and it is always someone who is on telly even if it’s the weatherman. For a couple of years it was me and then it was someone else. It’s nicer being the sexiest man than the most ugly man. I live with it, and I don’t mind it, but I don’t go around with a big smile on my face everyday.

If you're not bruised up, then you're not doing an action film in a real way.

I'm not looking for a challenge, necessarily. I'm looking to make a really great film.

The criteria [to take or refuse the role] is that I would love to have some kind of dialogue or communication with the director. I need to understand that we can communicate and that we like communication. That's something I have to have a strong feeling about. Secondly, I have to find the script intriguing or interesting. I don't have to understand the whole script, but I do have to find it intriguing. If those two things are present, that would probably be a yes.