Real greatness comes from that sort of spontaneity of the moment that takes it into another level. That can never be planned; it happens or it doesn't. And you can't force it.

I am a professional actor and I don't go about moralizing about what the character does. Otherwise, seriously, why be an actor? You're not making some kind of social statement. That's not what actors do. They may inadvertently do it, but it's because of the script, not the acting.

I'd love to do radio plays. I think that one should be open to everything and shouldn't limit oneself.

I like to razz the Trekkies a little bit. Who doesn't? It's trainspotting, isn't it? But they are very well-meaning, actually. I've done a couple of Star Trek conventions, and they've only been really welcoming.

The most nurturing of directors can make you feel too comfortable, and you don't really push for that extra whatever.

I'm very pragmatic in that I know there are very few greats in anything. I got lucky just to have gotten two of the real great filmmakers very early on. Better to have had them than to not have had them. I've been really fortunate. That's the key relationship on a movie: the director and the actor. Of course, you can't compare the experiences. When you're in your early 20s, you're a very different person. It was a very exciting time, and my whole world was changing. Now I'm looking back, and hoping I can still offer something. Still do good work.

Once you commit to something, you've got to commit the whole way. Try and make the best of it.