All the work I did was to challenge politics, culture, and women's rights. I felt like I really wanted to break out. That's why I wanted to use graffiti. It's more open. I don't need people to come to an exhibition. Graffiti gives a voice to the walls.

If a woman is wearing the burqa, it's not her wish. It's more that she feels secure from the Taliban, secure from acid if she were to show her face.

When I was 12 my brother told me I had to wear the burqa, but I really wanted to play, because I was a child. It's an age you want to play outside and have a good time. And they told me I had to wear it or I couldn't leave the home. I felt it was controlling me, because when I wore it I felt I wasn't a child anymore.

The burqa is a way of controlling the woman, but in the name of respect. Every culture or religion gives a different name for the burqa. It is honor, or culture, or religion. Really, it just controls the woman and keeps her inside.

I felt strange in my own family, because I had a very liberal mind, and I would ask myself, "Why is there this discrimination between men and women?" In our culture, the man should be outside and the woman should be at home. I wanted to study, or meet my friends, and I couldn't. And I felt very different.

Afghans think the burqa is a permanent part of culture. But, if you bring it to Europe, how would people react? Afghanistan doesn't want to change its culture, but it can change, all the time. So why are Afghans giving so much value to it? The burqa is not natural. It's not human nature.

There are two ways. One is to be a puppet, follow the culture, and do whatever they want. That was mentally disturbing to me, and still is. And the other way is to go out. I knew there would be problems from my family, and also from my environment. But I thought that physical pain would be better than the mental pain. And I started working as an artist.