All the work I did was to challenge politics, culture, and women's rights. I felt like I really wanted to break out. That's why I wanted to use graffiti. It's more open. I don't need people to come to an exhibition. Graffiti gives a voice to the walls.

I have always used the burqa because men are using the burqa in the name of culture and religion to take freedom from women. Women are alive, they have their own wishes and desires, but all the time they have to sacrifice that. They are a kind of skeleton, which doesn't have muscles. They're just breathing, like a kind of puppet that barely exists. If women spoke for their rights, they were beaten by their husbands. So they don't have a voice. They lose their voices and their wishes and their happiness.

There are two ways. One is to be a puppet, follow the culture, and do whatever they want. That was mentally disturbing to me, and still is. And the other way is to go out. I knew there would be problems from my family, and also from my environment. But I thought that physical pain would be better than the mental pain. And I started working as an artist.

When I was 12 my brother told me I had to wear the burqa, but I really wanted to play, because I was a child. It's an age you want to play outside and have a good time. And they told me I had to wear it or I couldn't leave the home. I felt it was controlling me, because when I wore it I felt I wasn't a child anymore.

When I came back from Pakistan, I wanted to take computer classes nearby. I asked my brother. I was in my home, cooking for my family, and all our relatives and guests. But I said, "I want to live my life as a woman, but I want to study." But, he told me, "Just study at home, you don't need to go out." He said, "If you go to the courses, what will our relatives say? They will lose respect for us." They told me, "We know you're feeling different, but we cannot do anything about it."

If people say harsh words to me though, I don't care. It's a risk to my life. The Taliban don't want us to be working, so they'll shoot us. And women who break their rules, they put acid on them. I said, if they shoot me, OK, but if they put acid on me, I will be alive as a dead body. I was always so afraid of that.

All the work I did was to challenge politics, culture, and women's rights. I felt like I really wanted to break out. That's why I wanted to use graffiti. It's more open. I don't need people to come to an exhibition. Graffiti gives a voice to the walls.