As far as CGI and hand-drawn animation, I consider them both nothing more than tools for drawing pictures, the same as crayons or oils. Which is why, to me, the most important thing is what it is you are drawing, and in the themes that I depict, I think hand-drawing is the most effective.

I really am grateful to have so many people watch, and to be given the chance to create my next projects. I want to once again tackle the boundless possibilities of animated movies, and I hope to be able to create something that will leave both children and adults thinking that this world is a sparkling, brightly shining place.

One may not be able to fulfill a fatherly role with one's own child, but on the other hand, and this goes for me as well, one might still be a "father of choice" to someone else out there in the world. Fatherhood is something that can be shared worldwide. Meaning that in terms of the substance of a father's role, perhaps we are all pseudo-fathers.

Digging back through the events of the past, I found that there have been all sorts of people who had a greater effect on us than our own fathers. Perhaps an adult that we wanted to become like, or someone with such a strong presence that even now, they remain in our hearts - someone who might be referred to as a "father of choice."

I think of movies as depicting moments of change. Change is growth, and that change also possesses the same dynamism that movies do.

As far as CGI and hand-drawn animation, I consider them both nothing more than tools for drawing pictures, the same as crayons or oils. Which is why, to me, the most important thing is what it is you are drawing, and in the themes that I depict, I think hand-drawing is the most effective.

The process of producing a project is one long string of delight and anxiety, but I think the real thrill of animation would have to be drawing the pictures.