Sunset Boulevard' - the story of Hollywood movies draped on a depressing sex affair - is an uncompromising study of American decadence displaying a sad, worn, methodical beauty few films have had since the late twenties.

Henry V' is a great deal more than almost any other hell-bent-for-armor movie that you've seen.

Orson Welles's second 'I-did-it' should show once and for all that film making, radio and the stage are three different guys better kept separated. 'The Magnificent Ambersons' is one of those versions of the richest family in town during the good old days.

Actually, what will be shown from here to eternity will be Burt Lancaster and Deborah Kerr cavorting on the beach. From Here to Eternity must have seemed like a chore to its director, Fred Zinnemann.

The story of Warner Brothers' movie, 'Mildred Pierce,' recounts the enormous and unrewarded sacrifices that a mother (Joan Crawford) makes for her spoiled, greedy daughter (Ann Blythe).

The Big Sleep' is an unsentimental, surrealist excitement in which most of the men in Hollywood's underworld are murdered and most of the women go for an honest but not unwilling private sleuth (Humphrey Bogart).

There are several types of movie space, the three most important being: (1) the field of the screen, (2) the psychological space of the actor, and (3) the area of experience and geography that the film covers.