I write novels because there is something I don't understand in reality.

I am only interested in bad taste if I can enjoy a gruesome tango or watch a movie that makes me cry.

I can work in films as long as the story doesn't have a realistic nature. If I'm working with an allegory, a fantasy, it can be developed in synthetic terms.

My pleasure was to copy, not to create.

I locate that special problem in a character and then try to understand it. That's the genesis of all my work.

Contrary to what Kafka does, I always like to refer all of my fictions to the level of reality, He, on the other hand, leaves them at an imaginary level.

I am very interested in what has been called bad taste. I believe the fear of displaying a soi-disant bad taste stops us from venturing into special cultural zones.