Hitchcock makes it very clear to us. There's an objective and a subjective camera, like there's a third- and a first-person narrator in literature.

If it's great stuff, the people who consume it are nourished. It's a positive force.

It's my own personal unconscious that ultimately creates the novel's aesthetic facade.

I believe that people who don't achieve anything in life are isolated and resent those that are successful.

My stories are very somber, so I think I need the comic ingredient. Besides, life has so much humor.

I allow my intuition to lead my path.

I can work in films as long as the story doesn't have a realistic nature. If I'm working with an allegory, a fantasy, it can be developed in synthetic terms.