Most of my comedy writing happens through improvisation on stage; doing it in the moment.

It's not all about love. That's half of it... The other half is about that moment you have with yourself when you're looking in the mirror, and you just go, 'Oh man. I'm going to compromise my dreams, get fat, sick, old and die someday. I kind of want to have someone around for that.'

What appealed to me was the intimacy of the medium, the fact that I was doing it from my home, and the fact that I wanted to talk. I was not there to plug things. I don't do a hell of a lot of research. I go on a sort of kindred-spirit bonding that preexists the interview, and just see what unfolds.

I used to be jealous; I'm not jealous anymore. And a miracle happened to me, because if you're jealous, it's a cancer, it's a plague on your spirit, it really is. And I actually cured jealousy in a very weird way - I cured it with mathematics. And I'm not a math person at all, but I've been with my wife for about seven years, so we have had sex probably, I'd like to think, like, 9 million times or, at least, 1,500. So, the way I figured it, if she goes out and screws some other guy once - I'm still winning.

You get all excited to give her the ring, and it's real emotional, and you give it to her, and she cries. And a second later, you're like, 'Damn, I could have had a car.'

If you let someone talk for an hour, you're gonna have a pretty good idea of who they are, and I think that's more rewarding than me sitting there going, "That's complete bullshit about health care."

My dad is actually a manic depressive, which is very exciting half the time.