There's this whole post-modern, nuevo beatnik, retro-bohemian thing going on, you know what I mean? You walk into some coffee shops, and it feels like you're an ex-patriot in Paris in the 20s. You're like, 'Hey, isn't that a young Ernest Hemingway over there? Yeah, I think it is! Hey, let's go have a look and see what he's writing... It's a Gap application.'

For my next trick I will make everyone understand me.

When I was a young comic in New York and I wasn't getting any work, I was wandering around the Lower East Side with my notebook. I would stop at the guitar place on St. Mark's and talk to that dude for a while, then I'd go to the bookstore and talk to that dude for a little while. I had a guy over at the record store, and I'd talk to him for a while. It kept me connected to life.

I know that the podcast is typically something I can do forever, because it's mine; it's just me and my producer and business partner, so it's our business.

When I was a young kid I loved Don Rickles, Buddy Hackett and Jackie Vernon.

It amazes me that we are all on Twitter and Facebook. By "we" I mean adults. We're adults, right? But emotionally we're a culture of seven-year-olds. Have you ever had that moment when are you updating your status and you realize that every status update is just a variation on a single request: "Would someone please acknowledge me?

I think that standup has always been an acquired taste and there was always only a handful of performers that were really inspired.