When you're a kid, you always feel you have this weird kindred-spirit thing with other Jews, until you get older and you realize it's just middle-class bourgeois Jews that sort of fit a template that your family fits into one way or another.

In my life, I didn't get into comedy to be - I had no business model. All I wanted to do was, basically, finish becoming myself. And you stand in front of people and be seen and heard in this format. I thought it was the most practical format for me to express whatever it was I was going through. Whatever my ideas were in my evolving philosophy about life. I obviously don't sell out theaters. I'm not a household name. I'm not incredibly consistent in terms of doing the same act over and over again, and I'm definitely working out a lot of my existential issues onstage.

You get all excited to give her the ring, and it's real emotional, and you give it to her, and she cries. And a second later, you're like, 'Damn, I could have had a car.'

Because we're comics and we pass each other on campus, we know of each other, and a lot of the time there's a mutual respect there.

Your insecurity and neediness is what makes you a big neurotic ball of comedy genius.

My monologues aren't always funny. They're generally thoughtful. Sometimes at different levels of aggravation. And sometimes no aggravation. But the pressure on me is not to be joke-efficient when I'm talking on this mic. And that sets the tone.

I used to be jealous; I'm not jealous anymore. And a miracle happened to me, because if you're jealous, it's a cancer, it's a plague on your spirit, it really is. And I actually cured jealousy in a very weird way - I cured it with mathematics. And I'm not a math person at all, but I've been with my wife for about seven years, so we have had sex probably, I'd like to think, like, 9 million times or, at least, 1,500. So, the way I figured it, if she goes out and screws some other guy once - I'm still winning.