When I'm approached by brands I use the kind of philosophy - I don't really get into a project unless I feel I can make something that will be honest for me.

I think in America there's this free flow between fashion, art, architecture, music and design. In Europe it's more segregated between those different disciplines I think.

I like controversy. The more controversial it gets, the more interesting it is.

I love the idea of bringing my work to the general public, not just people who go to gallery openings.

The durational aspect of video art is very different from photography or sculpture. The idea of looping things interferes with that a little bit. It eliminates that finite viewing period which I think is not so expressive sometimes.

Usually, the energy in elevators is so awkward; I mean, I cant imagine the politics in the ones in the Conde Nast building.

The art world has become the R&D department for so much fashion and music, so knock-offs are getting better and better.