I love the idea of bringing my work to the general public, not just people who go to gallery openings.

I think in America there's this free flow between fashion, art, architecture, music and design. In Europe it's more segregated between those different disciplines I think.

[While] physically traveling someplace or experiencing someplace firsthand, physically versus - which is what a lot of young people do - the experience is mitigated through technology and through social media.

Usually, the energy in elevators is so awkward; I mean, I cant imagine the politics in the ones in the Conde Nast building.

I like controversy. The more controversial it gets, the more interesting it is.

The durational aspect of video art is very different from photography or sculpture. The idea of looping things interferes with that a little bit. It eliminates that finite viewing period which I think is not so expressive sometimes.

When I'm approached by brands I use the kind of philosophy - I don't really get into a project unless I feel I can make something that will be honest for me.