Romance takes place in the middle distance. Romance is looking in at yourself through a window clouded with dew. Romance means leaving things out: where life grunts and shuffles, romance only sighs.

Everybody was going along thinking that it was a day like any other day, and bang, down went the Twin Towers. Changed everything. So you can't really predict the future, but you can say, "Boy, are those glaciers ever melting." You can measure that, and you can say, "When they're all melted there won't be any Athabasca River," and you can say, "What will happen to the oil sands then?" because you need a lot of water to make that oil. "Where's that going to come from?" You can say things like that.

Choice of evils debates always produce extremism - people choose what they hope is the lesser evil, then call it good and demonize the other choice. It will be a challenge for your generation to synthesize - to move beyond Us versus Them, to We.

There are novels that end well, but in between there are human beings acting like human beings. And human beings are not perfect. All of the motives a human being may have, which are mixed, that's the novelists' materials. That's where they have to go. And a lot of that just isn't pretty. We like to think of ourselves as really, really good people. But look in the mirror. Really look. Look at your own mixed motives. And then multiply that.

What’s with her?” says the painter. “She’s mad because she’s a woman,” Jon says. This is something I haven’t heard for years, not since high school. Once it was a shaming thing to say, and crushing to have it said about you, by a man. It implied oddness, deformity, sexual malfunction. I go to the living room doorway. “I’m not mad because I’m a woman,” I say. “I’m mad because you’re an asshole.

As we know from the study of history, no new system can impose itself upon a previous one without incorporating many of the elements to be found in the latter.

We'll choose knowledge no matter what, we'll maim ourselves in the process, we'll stick our hands into the flames for it if necessary. Curiosity is not our only motive; love or grief or despair or hatred is what drives us on. We'll spy relentlessly on the dead; we'll open their letters, we'll read their journals, we'll go through their trash, hoping for a hint, a final word, an explanation, from those who have deserted us--who've left us holding the bag, which is often a good deal emptier than we'd supposed.