I could definitely rock out to Kraftwerk's "Tour De France," Tubeway Army, or Gary Numan. All of that stuff has an infectious beat, but with "Oh Yeah," I can't even identify what's going on. It sounds like typewriter keys, a couple of synth notes and then this really deep "Oh yeah," which I always picture as Andre The Giant on vocals.

I became a comedian because I didn't want to be bullied anymore. Onstage I was safe.

I don't have children, and I am not sure if I have wanted them or never wanted them. It's weird not to be able to decide. I don't know if I could stand that kind of commitment, or if I am really honest, I don't think that I could handle being that vulnerable to someone else.

It's completely unsexy [Yello, "Oh Yeah" 1985]. It does capture that weird '80s materialism and "We're gonna get it on now" vibe. But it's a very juvenile approach. It also became a weird signal for comedy, in the sense that when you heard the song, it meant comedy was happening on screen. I feel like this song was probably done in a couple of minutes in a studio.

strange, there's so much religion in the world, but only enough to make us fight over who is right, not enough to make us love one another.

When you feel powerful, you are willing to stand up for your rights, you are willing to stand up for what you believe in, you're more willing to stand up and be counted.

I definitely support free speech.