I grew up a witness to gay politics in its early days. I remember seeing Harvey Milk and been moved by him.

It's completely unsexy [Yello, "Oh Yeah" 1985]. It does capture that weird '80s materialism and "We're gonna get it on now" vibe. But it's a very juvenile approach. It also became a weird signal for comedy, in the sense that when you heard the song, it meant comedy was happening on screen. I feel like this song was probably done in a couple of minutes in a studio.

When it comes to children, my mom doesn't believe in borders. She loves all children, and that's a good example of mothering the world. I need to do that, but before I can, I need to get over my fear of kids in the first place.

I do love the road, because for me, the road is very comfortable, and it's very much what I've always wanted to do. It's one of the most appealing things about comedy for me, so I do really have an affection for it.

Tattooing is my social life, too, so most of my time is taken up with that. People like Henry Lewis, Mike Davis at Everlasting Tattoo.

I don't like people telling other people what to do. Sex work for a lot of women is really important, especially in countries where women don't have a lot of power. Here we can have at least some form ... of making money.

I didn't appreciate the young woman that I was, or my young beauty, because I was so obsessed with the fact that I felt fat. It's never good to add to anybody else's suffering. It's an important topic to really get the gravity and the importance of - dealing with dignity.