It's completely unsexy [Yello, "Oh Yeah" 1985]. It does capture that weird '80s materialism and "We're gonna get it on now" vibe. But it's a very juvenile approach. It also became a weird signal for comedy, in the sense that when you heard the song, it meant comedy was happening on screen. I feel like this song was probably done in a couple of minutes in a studio.

Things that are in "bad taste" are often renegade and rebellious. They go against the status quo, and the laws of decorum and modesty. And that can be really thrilling.

People drain me, even the closest of friends, and I find loneliness to be the best state in the union to live in.

If public figures came out of the closet, then the LGBT kids who saw them on TV would feel safe, before they even knew why they felt dangerous. Maybe if enough people came out of the closet, gay kids would never feel dangerous. Maybe we could have a world where we could all just live. We may not all agree, but why can't we just all live?

I've worked with incredible producers who have also taken my voice and brought it to another level. I think I have some natural abilities, but it's the technique that I've been learning from the best that keeps me going. I'm really honored to do it.

I had been taking various lessons. I've also had a lot of incredible singers give me a ton of great advice. From Cyndi Lauper, who kind of taught me the basics, and I've also worked with Bird. She's a tremendous coach and she often coaches the contestants on 'American Idol.' I've had a great amount of support.

I don't really know what 'selling out' is exactly. I would sell out if I could, but nobody's buying it. I would love to go mainstream, but my comedy is too edgy. It's always too dirty. It's always too filthy. I'm dying to sell out. But I love doing comedy, I love touring, and I think I would do everything for free.