When I'm creatively solving problems, I'm in my sweet spot, and nothing can take me out of that joyful present.

After decades spent in rewrite rooms surrounded by other shouting writers, I discovered that I work best alone. I like being in charge of my time, working out the problems according to my own rhythms and being able to nap. That's a big one, the napping on demand!

You come out into the world after a season of TV and you're just swearing and saying mean things to people and they're looking at you like, Who are you? And oh yeah, you think, I have to reacclimate to the way people genuinely treat each other.

I keep an elaborate calendar for my characters detailing on which dates everything happens. Im constantly revising this as I go along. It gives me the freedom to intricately plot my story, knowing it will at least hold up on a timeline.

What's this?" She pulled out a card and held it away from her face. "I can't read what it says." I took it from her and read it aloud. 1. Beeber Bifocal 2. Twenty Mile House 3. Bee 4. Your escape Fourteen miracles to go.

Unfortunately Seattle is my muse, for the better or worse of Seattle - I'm not sure.

That's right,' she told the girls. 'You are bored. And I'm going to let you in on a little secret about life. You think it's boring now? Well, it only gets more boring. The sooner you learn it's on you to make life interesting, the better off you'll be.