Immaterial art is the strongest because there's no obstacle; there's just energy, and I believe in energy.

I believe stories are very important to all performances. The life story of the performer shapes their work, and the life stories of the audience alter how they receive the work, what they read into the performer.

When I was young, I couldn't think about ballet because I had to focus on my own field. But once you secure your own performance area, you can indulge yourself in different territories. Fashion is one. And ballet is absolutely a fantasy, because it deals with the bodies in a different way.

When you have a nonverbal conversation with a total stranger, then he cant cover himself with words, he cant create a wall.

I serve like a bridge. I go to other cultures, learn, put myself in different situations and learn as much as I can, and then go to Western cultures to give. I'm doing this bridging all the time.

If you're a baker, making bread, you're a baker. If you make the best bread in the world, you're not an artist, but if you bake the bread in the gallery, you're an artist. So the context makes the difference.

Why not do something strange and different for once? Artists can do whatever they want!