Immaterial art is the strongest because there's no obstacle; there's just energy, and I believe in energy.

Zooming in, zooming out. I was shocked. I said, "Let's erase this right now, put the camera behind the stage and I'll do the performance just for the camera." He set up everything and I told him to go outside and smoke a cigarette. Come back when I finish. Don't touch the camera. This was the way how I've done most everything after that.

People put so much effort into starting a relationship and so little effort into ending one.

I'm interested in utopian communities of the past. Many of them didn't survive and I'm examining closely the reasons they failed.

For me, the most difficult piece is the one I'm about to make.

I have always staged my fears as a way to transcend them.

You know the movie "Rashomon" from [Takeshi] Kurosawa, when all the people in the forest see something different? Each performance was like that.