There's this scene in "The Night of the Hunter" when the kids are downstairs, and you have the feeling that they're both in a room and at the same time it looks remote. And you wonder, How can you give the effect of both "inside" and "outside" at the same time. And you realize, by watching it many times, that around the scene there's this black edging.

When you make a book or you make a movie, it is almost like hitting on somebody. It's not because you want to seduce people that you will seduce them; you can hit on somebody and it doesn't work. But when you hit on them and it works, then it's really cool.

If you have a little sensibility or a heart, you have all the reason to be depressed once in a while. But the depression is like a motor for creation. I need a little bit of depression, a bit of acid in my stomach, to be able to create. When I'm happy, I just want to dance.

Death, torture and prison are part of daily life for the youth of Iran. They are not like us, my friends and I at their age; they are not scared. They are not what we were. They hold hands and scream: “Don’t be afraid! Don’t be afraid! We are together!” They understand that no one will give them their rights; they must go get them.

The most exciting time is when I think of an idea and how I imagine I can make it. It would be wonderful if there was a projector inside my eye that and it could just put the idea on the screen for people to see.

I'm someone who lived in a war for five years. I received bombs on my head every day of my childhood. Did that stop me from living? Did that stop me from laughing?

I was a child who had a life, who had hopes, and I wished that a bomb would not fall on my head.