The novels have done so well because the drawings are abstract, black-and-white. This adds to the universality of the story. "Persepolis" also has dreamlike moments, and the drawings help maintain cohesion and consistency.

I really didn't know what to think about the veil. Deep down I was very religious but as a family we were very modern and avant-garde. I was born with religion. At the age of six I was already sure I was the last prophet. This was few years before the revolution.

As a director, you have to understand what is happening - if I don't understand it, you can't make changes.

I respect humanity. That's my religion. I can't stand these religions that are really businesses. So much money everywhere that's going to buy a really nice house in heaven - or what? I don't get it.

People are so afraid to say the word "comic". It makes you think of a grown man with pimples, a ponytail and a big belly. Change it to "graphic novel" and that disappears.

I'm extremely unbearable. You know, I'm narcissistic and at the same time I'm very charming - I think.

I call Iran home because no matter how long I live in France, and despite the fact that I feel also French after all these years, to me the word 'home' has only one meaning: Iran. I suppose it's that way for everyone: Home is the place where one is born and raised.