You draw the character from all angles - side, profile, back, etc. so the animator has this character in all the ways it looks like.

Not everybody loves their children. If that was a fact, all the children would be happy and they would make happy adults. Instead, we have lots of miserable children that later became miserable adults. This is a fact. We cannot change that.

Words also are filters. They have to be translated. Even in the original language, there is interpretation and some ambiguity. If there's a cultural difference between the writer and the reader, that might come out in words. But with pictures, there's more efficiency.

Here's the problem: the description of the world is always reduced to yes or no, black or white. Superficial stories. Superhero stories. One side is the good one. The other one is evil.

The most exciting time is when I think of an idea and how I imagine I can make it. It would be wonderful if there was a projector inside my eye that and it could just put the idea on the screen for people to see.

I'm very open and never write what I'm going to say. Speeches bore everybody else. I have to freestyle. Every time, from one program to another, everything changes and I improvise.

When you make a book or you make a movie, it is almost like hitting on somebody. It's not because you want to seduce people that you will seduce them; you can hit on somebody and it doesn't work. But when you hit on them and it works, then it's really cool.