And, there are negatives and positives to it. Like, you know, just like a marriage, where you're like, "Well, this... you know, is the sex still as exciting as it was two years ago?"

Well, I'll be honest with you, sometimes you don't know you're playing a moment that's going to be in a montage. Sometimes it's a scene that didn't work out the way you hoped it would be and ends up in a montage.

If we have anything to offer, as filmmakers and as TV makers now, it's this ability to feel as close to a documentary as you can get in a narrative form.

Jay [Duplass] and I normally just sit around and people watch, and we talk about things that are happening in our lives, or with people that we've met. That's the soup from which our movies usually come from.

My wife and I are like twins and that is a great and a terrible thing for a marriage. It makes for the most comfortable thing in the world to be truly known and loved, but also makes for a lot of conflict and that's how we roll in my house.

I question every move. I'm constantly second-guessing myself.

I really believe in constantly trying to find and support new ways of watching independent art, because the old ways are not working as well.