And, there are negatives and positives to it. Like, you know, just like a marriage, where you're like, "Well, this... you know, is the sex still as exciting as it was two years ago?"

Making movies that are really cheap and that can be owned and that you maintain your control of is really exciting.

When the initial little impulse comes it just tends to come. I wake up in the middle of the night, or I'll be swimming in the pool with my kids and just think, "Can't forget that one." Then there's the more organized side of the brain, which is when I choose to work on them. I've learned through a bunch of mentors how to demarcate the different times for your writing process. I keep multiple projects going at once and there's a time when no matter what you're doing, you have to stop and write it because it's coming.

Most directors do work in pairs. There's usually some form of this, sometimes it literally comes down to you both show up in the morning and one of you is like, "I'm a little tired and overwhelmed today, so I might need you to just be a little step ahead of me and speak with more confidence because I'm not quite there." So, there's quite a bit of that in other teams.

I have family, I work with a lot of friends, but you'll never find me saying, "Hey, let's get a drink at 8:30 [pm]."

I know, we can barely fit them in. That is a big challenge. Treating four lead characters equally, within a 30-minute format, is definitely challenging.

I question every move. I'm constantly second-guessing myself.