What I love about Blink-128 is that we write catchy melodies with dark lyrics.

I don't want to spend a month and a half in a studio with music I don't like, and fortunately I don't have to.

I grew up the biggest fan of the Cure. Knew every lyric, had every album, B-side, single, poster, everything. Then cut to fifteen years later, and we're working on songs together. Ridiculous.

I'm always asking friends what new music they're into, and I love showing people new talented artists.

There was a great push and pull of what Blink-128 should sound like all the time. Travis Barker comes from a different background than I do, and Tom DeLonge comes from a different background than either of us in terms of what we write and what we think a song should be. Tom pushes me out of a box that I put myself in.

I kinda like the duality of California and the dark side, the underbelly of California, and I think that's what this album ['California']feels like - there's endless hope and optimism but there's also a darker side.

From a very early age, my wife and I told our son that there are times and places for everything. I told him, look, when you're in class, you have to be quiet and listen to your teacher, but when you go out to the playground, you can scream and be silly.