I kinda like the duality of California and the dark side, the underbelly of California, and I think that's what this album ['California']feels like - there's endless hope and optimism but there's also a darker side.

We never really set out to talk about California on the album ['California'], it was something that we noticed that was happening about three-quarters of the way through the recording process. We were looking at which songs we thought would make the record and we realised that there was this theme coming through. I think it's just a product of being in California for as long as I have.

As a producer, I'm an objective observer, helping a band form their ideas into a cohesive album. It's a step back from the intimacy of creation.

There was a great push and pull of what Blink-128 should sound like all the time. Travis Barker comes from a different background than I do, and Tom DeLonge comes from a different background than either of us in terms of what we write and what we think a song should be. Tom pushes me out of a box that I put myself in.

I think age is just a stupid number.

Vegetables....a waste of good plate space

All the really pretty girls get pregnant.