Even when I was a little boy, when I was seven, I absolutely loved Wonder Woman, and I saw her as one of the superhero greats with Superman and Batman, and I think it's because she was her own thing. She always felt like the real deal the same way that Superman and Batman did. Whereas the She-Hulks and Spider-Women and all that kind of thing felt like a continuation of a concept.

I spent as much time writing proposals in '98 and '99 as I did writing scripts.

Organizations who win, think deeply, choose wisely, and act decisively.

For years I've wanted to work with this guy, so to actually write at the top of my scripts "Empress, Script by Mark Millar, Art by Stuart Immonen" is an absolute pleasure.

The lovely thing is, if Marvel had a Spider-Man movie over at Sony or something, they own the rights to the character, and the editors and producers make suggestions and get notes and things. But you're talking about Matthew Vaughn and Jane Goldman. They're two of the best people in the world. The notes are just things like, "This is absolutely brilliant."

He [Stuart Immonen] and I have known each other over email for 18, 19 years or something, so to finally work with him is like kissing the girl that you always wanted to kiss.

Even when I was a little boy, when I was seven, I absolutely loved Wonder Woman, and I saw her as one of the superhero greats with Superman and Batman, and I think it's because she was her own thing. She always felt like the real deal the same way that Superman and Batman did. Whereas the She-Hulks and Spider-Women and all that kind of thing felt like a continuation of a concept.