I’m Angelina,” she says. “Are you here to save us?” I can see a tiny spark of hope awaken in her eyes. “You’re right, Angelina - I’m here to save you.” “Can you? Really?” “I’ll try,” I say and the girl smiles.

I like that every page in every book can have a gem on it. It's probably what I love most about writing--that words can be used in a way that's like a child playing in a sandpit, rearranging things, swapping them around. They're the best moments in a day of writing -- when an image appears that you didn't know would be there when you started work in the morning.

When he moves, a streetlight stabs him, and the words flow out like blood.

That was when the world wasn't so big and I could see everywhere. It was when my father was a hero and not a human.

The book thief has struck for the first time – the beginning of an illustrious career.

And I stop listening to me, because to put it bluntly, I tire me.

After another ten minutes, the gates of thievery would open just a crack, and Liesel Meminger would widen them a little further and squeeze through. ***TWO QUESTIONS*** Would the gates shut behind her? Or would they have the goodwill to let her back out? As Liesel would discover, a good thief requires many things. Stealth. Nerve. Speed. More important than any of those things, however, was one final requirement. Luck. Actually. Forget the ten minutes. The gates open now.