You can do anything when it's not real. When it is real, nothing breaks your fall. Nothing gets between you and the ground.

And I can promise you something, because it was a thing I saw many years later - a vision in the book thief herself - that as she knelt next to Hans Hubermann, she watched him stand and play the accordion. He stood and strapped it on in the alps of broken houses and played the accordion with kindness silver eyes and even a cigarette slouched on his lips. The bellows breathed and the tall man played for Liesel Meminger one last time as the sky was slowly taken away from her.

For a moment, I panic. It's that feeling of falling when you know without question, that you've lost control of your car, or made a mistake that's beyond repair. 'What do I do now?' I ask desperately. 'Tell me! What do I do now?' He remains calm. He looks at me closely and says, 'Keep living, Ed... It's only the pages that stop here.

Maybe one morning I’ll wake up and step outside of myself to look back at the old me lying dead among the sheets.

Better that we leave the paint behind," Hans told her, "than ever forget the music.

...one opportunity leads directly to another, just as risk leads to more risk, life to more life, and death to more death.

I guess when someone tells you something they they usually guard, you feel privileged, not because you know something no-one else knows, but because you feel chosen. You feel like that person wants her life to intersect with yours. I think that's what felt best about it.