No novel has ever changed anything, as far as I can see. And the great satirists, like Swift and Dickens, tend to write about abuses and injustices that have already been partially corrected - you write about it after it's over.
Martin AmisSaul Bellow says, funny enough, what French think of your work is tremendously important. And it is. It's more than what the Italians, the Spanish, and the Germans think. Somehow it's still got that cultural primacy. I feel that too: to get praised in France is better than to get praised anywhere else.
Martin AmisAmerica is a younger country than England, obviously, and as self-awareness is forming in America - are we a collection of immigrants, are we a load of Italians and Germans and Jews and Brits and Irish, or are we a country with a soul and an identity? - there was a subliminal sense, they knew that the writers would be the ones who would answer those questions.
Martin AmisWhat did Nabokov and Joyce have in common, apart from the poor teeth and the great prose? Exile, and decades of near pauperism. A compulsive tendency to overtip. An uxoriousness that their wives deservedly inspired. More than that, they both lived their lives 'beautifully'--not in any Jamesian sense (where, besides, ferocious solvency would have been a prerequisite), but in the droll fortitude of their perseverance. They got the work done, with style.
Martin Amis