I think having women behind the cameras is exciting - whether it's as a director or a writer or a producer - because it does feel like we're in the middle of this awakening of realizing that it's important for women to have a voice.

We all have to hold each other accountable and point that behavior out to each other in a kind way. I guess what I'm saying is just having women behind the scenes isn't enough, we also have to be aware of what we're saying about ourselves.

It's nice to always have a job and not be floating out in the ether waiting for whatever the next big thing is. So, in that way I hope there's no a shelf-life for great shows. On the other hand, you don't want to be working on something that's reached its peak and become irrelevant.

It's fun to be debaucherous and the worst version of yourself.

Getting to play a yogic healer was awesome. I love yoga, so I've had a lot of teachers.

It's nice to be able to explore both sides of my personality. I definitely relate more to Debbie, my character on The Grinder. But it's really nice because I get to play a character who's down on her luck and kinda slipping off the edge in It's Always Sunny, while at the same time getting to play this character who's a mom and holding it together on The Grinder.

I've been doing It's Aways Sunny for 12 years, and so I have this cable sensibility. When I read the Grinder script, I was like "this is edgy," which is great, but in a different way from Arrested Development. I feel like the characters are a little more relatable, so maybe that's the difference.