I'm not good at going on the internet and trolling around and finding information.

I have the weirdest job. The hair and makeup people were talking the other day about how weird their job is. And costumes, they have to be in people's faces and have to reach in their skirts to pull their shirts down and stuff. I was like, "You guys, I meet someone, I shake their hand, and then I kiss them. And sober. During midday. For money."

I'm not good at going on the internet and trolling around and finding information.

It's nice to always have a job and not be floating out in the ether waiting for whatever the next big thing is. So, in that way I hope there's no a shelf-life for great shows. On the other hand, you don't want to be working on something that's reached its peak and become irrelevant.

I also think it's still easy for us - as women, as writers and as directors and producers - to let it fall into the same patterns. Like, "and then the woman brings in the food, because the woman's the one who makes food." It's easy for that to happen, because that's what we've always known.

A few months post-baby is not the easiest time to pull out your best yoga poses.

I don't think that I would go into the writers' room because they work really hard and I feel like I'm already working really hard to shoot my part of the show. Also, I haven't written in a writers' room before, it's kinda intimidating to walk in there.