Sometimes, with directors, you have to take what they say and translate it in your head, into something that makes sense to you, because you're speaking two different languages.

I feel like it's so, sort of representative of a generation. I mean everything that they talk about in the books are things that I get. Even like a lot of the Canadian references because I've worked in Canada a lot, so I totally know Sloan and I know, you know, all this stuff, and meeting Chris Murphy was really cool, and yeah, everything.

There are obviously people who want to be very niche, but I think for the most part everybody is trying to reach a larger audience.

I realized that the people weren't just characters but they were people and they were getting to do something that was so fun and I wanted to be a part of it.

I was kind of embarrassed by some of the films I had done. I was like, "Oh, they're going to think I don't have street cred."

My first movie was a movie that had a bunch of people dying in it - the typical popcorn movie. That's where I got my start.

It's always been a lot of fun for me, just to be in films that people see and they connect to, big or small. The big ones tend to reach a wider audience, so it's exciting to feel like you've got fans in countries, all over the world, who are watching what you're doing. That's really great!