Sometimes, with directors, you have to take what they say and translate it in your head, into something that makes sense to you, because you're speaking two different languages.

I feel like it's so, sort of representative of a generation. I mean everything that they talk about in the books are things that I get. Even like a lot of the Canadian references because I've worked in Canada a lot, so I totally know Sloan and I know, you know, all this stuff, and meeting Chris Murphy was really cool, and yeah, everything.

I think when I was 12, when, like, 'Titanic' and 'Romeo + Juliet' came out, my friends and I made our own Leonardo DiCaprio fan club. I definitely had a thing for him.

It's always been a lot of fun for me, just to be in films that people see and they connect to, big or small. The big ones tend to reach a wider audience, so it's exciting to feel like you've got fans in countries, all over the world, who are watching what you're doing. That's really great!

I think for most actors, because we sort of have to tell ourselves this, we always say, 'Oh, it doesn't mean anything to win an Oscar!' It certainly isn't a goal that you want to set yourself up for, because then you're just setting yourself up for disaster. Because how many people actually win an Oscar?

To me it's so much like Spaced in that way. Um, which I love so much, so I think fans of that and fans of the comics are going to really see that up on the screen.

Um, yeah, it's one of the things that you kind of have to accept at the very beginning, like I'm not going to try and be super [deep?] factor and no, I can only do it this way, because that's just not how this film's going to work. Like it's got to be sort of a mesh of reality and complete unreality and you kind of have to accept that and go with it.