For any addict, when you get sober, life becomes more challenging, in some ways, because all of your problems become very clear and you have to deal with your pain. You can't just drink and forget about it and pretend it doesn't exist. You have to actually face it, head on.

Sometimes, with directors, you have to take what they say and translate it in your head, into something that makes sense to you, because you're speaking two different languages.

It's just about trying to find material where I'm doing more than just being a plot device. I want to actually get to do scenes that go to interesting places and are challenging to me.

When I was 10, my school did Romeo and Juliet. I was Juliet, and that was, like, the biggest deal ever. I was completely obsessed with the role.

I think these are such different films that it's hard to compare, because with Quentin we were all just like, it was like a party every day, you know, it was like that film was just like silly, it was just really for fun, it was really, it wasn't, you know, to make a huge impact. I t was just we wanted to have fun and go to work every day and do a fun movie. And this is like huge, I mean, this is like huge studio film, there's a ton of action, it's like really hard work.

I've always been a huge fan of 'The Shining,' and 'Rosemary's Baby' is one of my favorite films of all time.

I don't think people understand when you say you are making a micro-budget film that you are getting paid no money.