I think the closest thing I can come to defining what that vital thing is for me - is that there's a sort of soul-quality in writing, if it's any good. It has a spirit or an energy to it that is very integral to who the writer is on a deep level. It's almost a cellular thing. It takes place in the cells of the writing, and it is what makes it alive or not.

My ambition was to live like music.

You can teach people a lot about craft and various techniques, and you can certainly teach them to appreciate, but you cannot give them spirit or soul if it's not there.

I don't have an opinion about whether or not politics should appear more in fiction or not, generally. I think politics are a part of life, but a part of life that most people don't think about very much, most of the time. Or, people think about it superficially and they talk about it superficially because they don't know very much.

What are you thinking?” She asks. -That you are beautiful. That not everyone could see it. I almost became the kind of person who could not.

Of course there’s something there; unfortunately, there’s always something ‘there.’ Something you will one day be sorry you saw.

I think, over the course of one's lifetime, there are always certain core elements that are intriguing to you, and you take different looks as you get older, but it's something you keep coming back to. I've always been interested in the relationship between vulnerability and control. That's something that's a big thing for people, whoever they are, no matter how old you are. I think at different times, you're more aware than others.