I was never really satisfied with writing only text or with the way my texts looked when they were published. Most online journals have a pretty lame sense of typography - bad font, counter-intuitive margins and line spacing - that it makes me sour on my writing.

The digital artwork is characterized not by the technology which delivers it, but by the "passage" itself.

Thinking through quotes, which to say scouring a range of texts for insight, is one way to outline the process of thinking/feeling through a subject.

I still have faith in people. But that is getting increasingly harder to maintain. I just don't see many people today choosing love. I see people passing it up a lot. Foreclosing on it, deferring it, sabotaging, letting go.

Love has been the ontological pattern for me. And also the withholding pattern. I am still on hold with regards to love. And the longer one is on hold, in suspense, on a search, the harder, paradoxically, it is to continue with a search.

For me, the eye and the word go together. Even when I was working in word documents, I was always obsessed with fonts, size, margins - the look of words on a page. The way something looks or sounds is also what it means.

We don't experience things collectively or cathartically anymore. Viewing has become an intensely private, fetishistic, compulsive process that happens separately from others, and that reflects not only our relation to cinema as a space of possibility, belief, and imagination. But more generally, of what could be, of readiness, which is what the movies have historically been about - the ability to act on things and change.