We're renting the space that we call Earth, so we may as well just go for it.

I would much rather sit, dimmed by inattention, and study the atmosphere and the silence and dance between people, but often times I’m not offered this privilege. The necessity for isolation, and the striving for popularity is the only contradiction I find in being a writer and an actress.

There's a condensed softness about the Albanian people, and I've witnessed examples of their hospitality.

Although I was calm as a child, I had this restlessness about me–this need and hunger to create my own world. Poetry filled that void, and its words fed that vital necessity of ownership.

I didn't even know what acting was at 11 years old. I truly believed that acting was hidden cameras everywhere. And I felt that these actors on the screen were somehow real people.

As a poet and as an actress, we're taught to be far more elaborate with our words and - I wouldn't say generalize, but definitely stronger with our choices.

English was my fourth language. I arrived, I enrolled in public school, as a child, I believe I was about six years old when we finally landed in Michigan. And I was initially put in special education because I couldn't quite wrap my mind around the English language because I was listening to Hungarian and Albanian and German. My mind broke down like I couldn't quite wrap my mind around the fourth language.