Comedians don't have a monopoly on suffering. But creative people are sometimes fortunate enough to be able to incorporate their most traumatic experiences into their art.

It was very pleasurable and easy and it was nice to work with friends... people I already knew, people I didn't know but I now count as friends. There is a lot of hard work that goes into the movie but I can't claim to have been any part of that.

People will love something very much or hate something very much. But the great thing about a sketch show is that if something comes along that you don't like, something else will come along in a minute that hopefully you might like that.

You wouldn't know how to perform a sketch that you don't find funny. You just couldn't do it.

I don't expect to be thin, but I'd like to feel a bit healthier.

Honestly, I was just happy to get the work. I was chuffed to bits. I know David Furnish and Elton John a bit and I remember David talking very excitedly about it. This was going back four or five years even, when we were doing Little Britain at the Hammersmith Apollo. I'd lost my voice that night, but still did the show. I remember thinking: "God, they're going to think that's my voice and I'm not going to get in the film!" But it's just been a pleasure to be a part of.

When I left school I was full of angst, like any teenager, and I channeled it all into comedy.